Art derivatives e-commerce has been around for a long time, and there are also many art derivatives e-commerce. However, due to the late attention of the domestic art derivatives market, there are many obstacles on the road of development, resulting in the failure of the elegance and beauty of art derivatives fully loaded. First, the development Tunisia Phone Number List of domestic art derivatives is low. Although the development of the Palace Museum has more types of art derivatives than its peers, it is still difficult to compare with the mature overseas art Tunisia Phone Number List derivatives market. Most of the domestic art derivative designs are simply transplants of the original works, such as prints and reproductions, without further in-depth design.
The British Museum online store is only an art derivative developed and sold based on the Rosetta Stone. There are as many as 60 kinds, so Tunisia Phone Number List the consumer group of domestic art derivatives has always been relatively small. The low level of development and the narrow audience also lead to a certain misunderstanding of art derivatives by the public. Consumers collect or invest in artworks because of their high artistic value and value-added space. Therefore, when facing art derivatives, they will also measure whether they have investment Tunisia Phone Number List and collection value, and just want to make another pot of gold from them. Many people misunderstand that art derivatives mass-produced by factories have no collectible value and are unwilling to buy them.
Although art derivatives are consumer goods, art derivatives designed and developed for collection are still valuable collectibles. Second, the Tunisia Phone Number List rights and interests of artists are not guaranteed. On the one hand, due to the inadequate copyright protection of the cultural and creative industries in domestic laws and Tunisia Phone Number List regulations, infringements occur from time to time. Once art derivatives are sold well, they will soon be copied and sold by unscrupulous merchants. However, most domestic consumers lack copyright awareness and like petty cheap, and lack the ability to identify excellent art derivatives. They are willing to pay for infringing products, but ultimately hurt the rights and interests of manufacturers and artists. In addition, due to the lax control of the production process.